Category Archives: Cinema

The trauma of October 1973

This is another autobiographical blog, an excerpt from Chapter 2 of a planned book about how my life has intersected with Israel-Palestine, the making and unmaking of a Zionist.

On October 6th 1973 I was in Heaton Park Synagogue for Yom Kippur attempting to complete the fast in my last year before my bar mitzvah, after which I would obliged to fast. I was seated with other youth in an area unused for most of the year, behind the bima (prayer platform) and flanked by the main doors, but needed during the well-attended services of the High Holidays. Other boys drifted in and out, but I was in my pious phase, taking repentance seriously and not joining the custom of hopping from one synagogue to another to see friends, treating the day as a seriously under-catered social event.

Sometime in the afternoon news began to trickle into the synagogue about the Egyptian and Syrian attack on Israel, which began at 2 pm local time. As we were not a very religious community, some of the congregation had perhaps turned on radios (in violation of the strictures of holy day) to find out how Manchester City were doing (it was a 1- 1 draw with Southampton). Even aged twelve, I knew this was a surprise attack, as there had been no escalation of tensions reported in the news. Common wisdom is that in 1967 Jewish communities in Israel and the Diaspora experienced the dread of annihilation for the first time since the Holocaust as tension mounted before Israel’s pre-emptive strike. Whatever the reality of the intentions and capacities of the neighbouring – or surrounding – Arab states, there was a palpable fear that Israel could be overwhelmed and destroyed less than two decades after its birth in war. Six and a half years earlier, I had picked up on that tension in 1967, so, perhaps for that reason, I was deeply fearful. This was not a distant fear, an anxiety that a country somewhere else could be defeated, but an immediate terror we would all be wiped out together. I summoned up the courage to walk across the synagogue to Rev Olsberg’s seat at the front, to ask him what he knew, whether the rumours were true. It was not the secular reassurance of my father I sought, but a higher cosmic authority. Rev Olsberg was as kind as ever, confirming he had also heard the reports and would be making an announcement in a break in the service. I prayed hard for the rest of the day, as if my repentance could somehow save Israel and bring God’s salvation.

The Yom Kippur services came to an end as night fell and we all hurried home to eat, turn on radios and televisions and learn the news, which was not good. But nor was it so bad that I remained gripped by terror. Instead of worrying that Israel was being overrun, concern shifted to former Habonim members my older sister knew who had settled on Mevo Hama, a kibbutz on the southern edge of the Golan Heights. If I remember correctly, they were evacuated in the confusion at the start of the war as Syrian troops advanced into the Golan. Mention of them was enough to shut up a classmate who made some off-colour remark to me about Israel not doing so well now, was it? Our youth leaders at Habonim gathered us together quickly and we spent an evening collecting money door to door for medical aid, though I am not sure which fund it did go to. Some of them also volunteered to go to Israel to work on kibbutzim, taking the place of mobilised reservists. A few days into the war, the news got better for Israel as its forces counter-attacked, and by the end of the fighting on October 25th Israeli forces had crossed onto the western side of the Suez Canal and encircled Egyptian forces who crossed onto the eastern side, in the Israeli occupied Sinai Peninsula. They had also blocked the Syrian advance into the Golan and captured a belt of Syrian territory that took them within striking distance of Damascus.  Yes, Israeli military dominance and confidence had been severely challenged by the initial surprise attack, but Israel was safe.

My understanding of the war was shaped by reporting in The Guardian and British television news – for a few weeks, at my older sister’s instigation, we watched both BBC and commercial ITV news, which we normally ignored.  More impressive for me than those media, though, was an Israeli propaganda film that was produced quickly and screened at Mamlock House, the local headquarters of the Zionist movement. The song that became the Israeli anthem of the war, Lu yehi (Let it Be) and which we had already learned in Habonim featured in it. The documentary ended on an optimistic note by picturing Israeli and Egyptian officers negotiating at Kilometer 101. I treated my classmates to a verbal version of it during an English class in which we read out some work. There was no divine intervention in this essay, but there were echoes of David and Goliath, with Israel as the small country surrounded by enemies attacked on its most holy day, with even school children mobilised in the war effort by painting car headlights blue. I was the perfect propagandist for Israel.

The Yom Kippur War – which is the only name I knew it by at the time, grew in significance for me in its aftermath. Our youth leaders came back with stories to tell, including stories about the torture and killing of Israeli prisoners of war by the Syrians, but also a more touching one about waving to a Jordanian farmer working on the other side of the border.[1] Soon after the war, my father went on a work trip to Israel and came back with what seemed like a whole suitcase full of gifts, including a record album titled “Songs Of The Yom Kippur War” in English but “The Last War” in Hebrew, after the song of that title performed by Yehoram Ga’on. I listened to it repeatedly, especially Chava Alberstein’s haunting rendition of Lu Yehi, while earnestly endorsing the sentiment of the Hebrew title song that this will be the last war – if only the Arabs would stop attacking us. Although it was only a few years before I began to acquire a more critical understanding of the war, at the time I would have been shocked if told what I know now; that the war could have been avoided if Israeli leaders had been more willing to heed President’s Sadat’s overtures of peace and territorial compromise; that the surprise attack was a major failure of Israeli political judgment and military intelligence, not for lack of information but for lack willingness to believe that Egypt and Syria would dare attack (as established by Israel’s Agranat Commission of inquiry, which led to the resignation of Prime Minister Golda Meir’s government in 1974); and that the Arab states aimed to recover territory captured by Israel in 1967, not to wipe out the country. In effect, Egypt achieved its war aims, opening the space for US Secretary of State Kissinger’s shuttle diplomacy and leading first to the 1975 disengagement agreement with Israel which returned some of the Sinai, and then less directly – including the rise of the Peace Now movement – to the 1978 Camp David Accords, which returned the rest of the peninsula to Egypt. For all the pain and loss it caused, it was a war in which diplomacy was waged violently and militarily.

And yet something still remains. My adult, critical understanding cannot undo the horror I felt when I listened to voice recordings of Israeli soldiers in positions on the edge of the Suez Canal as they were being overrun by Egyptian forces. The terror of impending individual annihilation is compounded doubly. First, by a fear that in killing the individuals, the collectivity will also be extinguished and second, by a dread that this surely must not be happening, that now we are strong and able to defend ourselves, so if we are attacked, we will vanquish our foes. It is the same dread I felt watching the scene in the film Saving Private Ryan in which the Jewish character, Stanley Mellish, is killed in hand-to-hand combat by an SS soldier, who makes calming sounds to his victim as he pushes the knife into his chest. This too should not be happening, my body screams, the Normandy invasion is underway, the Nazis are being defeated, Mellish should be victorious. But there it is on the screen, a little Holocaust, the death of a single Jew that for the unbearable moment of the scene symbolizes the death of us all. So, the trauma of 1973 lingers, attaching itself to other traumas which cannot be dispelled by critical historical awareness, only by confronting the trauma.


  1. The stories of Syrian atrocities were true. See Wikipedia, “Atrocities Against Israeli Prisoners,” https://en.wikipedia.org/wiki/Yom_Kippur_War#Atrocities_against_Israeli_prisoners. Accessed 21/1/2021.

Remembering the Yom Kippur War by demanding peace

Scene from Amos Gitai's "Kippur" (2000)

Scene from Amos Gitai’s “Kippur” (2000)

Today (10/6/2013) marks the 40th anniversary of the 1973 October War fought between Israel on one side and Egypt and Syria on the other. The war is also known in Israel as the Yom Kippur war, because the Arab states launched a surprise attack on the Jewish Day of Atonement. At the time I was a 12 year old boy living in Manchester, England, and spent the day in Heaton Park Synagogue, a nominally Orthodox institution, most of whose members were non-observant. By 1973 I went to the club house of Habonim, a Labour Zionist youth movement, twice a week (along with my two older siblings), and after being a pupil at King David Primary school for seven years I was thoroughly immersed in a Zionist environment that resonated with my home life, where souvenirs from Israel adorned the walls and the Hebrew records played on the hi-fi. So, when Israel was attacked, I took it personally. If Israel was in danger, so was I.

I find it instructive to return to my feelings of forty years ago, because though now strange to me, they are familiar to so many others. Then, I felt an existential fear, a terrible dread on that day of awe. I should remind myself when I confront and engage with Diaspora and Israeli Jews, who say they are worried that the Arabs want to wipe out Israel, that they’re probably experiencing something close to those old emotions of mine. I should remember how tangible my worry was, how the terror of annihilation tasted dry like my fasting mouth, how the anxiety felt like my empty stomach. The news of what was happening that day filtered through the congregation slowly. Nobody was supposed to be listening to the radio, but Manchester City were playing at home against Southampton, and a few people had gone outside to hear the score (the match ended in a draw). Seated some distance from my father on this crowded day in the synagogue, I turned to the authority of the Rabbi, also my Hebrew school teacher, to confirm the rumours. The news we heard and watched when we all returned home was dismaying. Was Israel about to be destroyed? Were the Jews going to be thrown into the sea? Was this somehow God’s judgment? What sin had I or we committed that deserved such punishment?

The intense fear gave way to apprehension as the days passed, and the Israeli armed forces turned the situation around. Within days, our youth leaders in Habonim took us out knocking on doors to gather donations for some sort of medical aid for Israel. Soon, we had a new song to learn, Naomi Shemer’s Lu Yehi (Let it Be), which had been quickly rewritten when her husband came home from his military reserve duty, and was then adopted as Israel’s popular anthem for the post-war period. It’s a mournful song, a secular prayer whose chorus beseeches: ‘All that we seek, let it be,” and the final verse of which implores: ‘grant tranquility and also grant strength to all those we love’. Even today, the song feels comforting.

The terror passed, replaced by the relief of Israeli success on the battlefield, a cease-fire, and the beginning of disengagement talks that would eventually lead to the Camp David peace agreement between Israel and Egypt, concluded in 1979. I should always remember my fear of forty years ago, but I should not forget that fear can be overcome. Fear is not a state to dwell in, not an emotional homeland, but an uninhabitable exile.

For Israel, the 1973 war was traumatic, not simply because of the surprise attack, but because of the series of military and political failures that led to the attack. The Agranat Commission (1973-75) looked into shortcomings on the military side, and by 1977, the Labour-led coalition that had dominated Israeli democracy since 1948 had paid the electoral price, paving the way for a government led by the right. The 1973 war is an unhealed wound that Israel is still picking at, and which it has barely begun to reflect on its public culture. One exception, Amos Gitai’s semi-autobiographical art-house film about the war, Kippur (2000) leaves the viewer with a sense of disorientation and detachment, its minimal action focused on a helicopter rescue unit that flies over muddy scenes of labyrinthine tank tracks as they ferry back the injured and leave the dead behind until the rescuers too become casualties, prey to the purposelessness of the war.

For the generation of Israelis who fought the war, their fear gave way not to despondency but to anger at the ineptitude and negligence of the country’s leaders. While for some the Labour establishment remained the focus of their frustration, others came to understand that as citizens they could no longer trust to their government to do what is best for Israel. Following President Sadat’s visit to Israel in 1977, a group of the ‘1973 generation’ wrote to then Prime Minister Begin in the famous ‘officers’ letter’ to argue for a path of peace rather than settlements, and the Peace Now movement was born. That generation, also central to the civil opposition to Israel’s First Lebanon War in 1982, overcame their fear, and frustration, through activism. Their activism figured Israelis not as the inevitable targets of unfounded Arab hatred, condemned to fight one war after another, but as partners for peace who wanted “No more war, no more bloodshed’ and that ‘the October War will be the last war’, as Begin’s and Sadat’s words repeated in a jingle on the Voice of Peace radio station.

In 1973, the founders of Peace Now could not know as soundly as they do now that the disaster of the war was not only that Israeli forces were caught off guard but that the war happened at all. By October 6th, there was no choice but for Israeli soldiers to fight back, but leading up to that point there were significant opportunities for Israeli governments to negotiate over the Sinai Peninsula and Golan Heights which had been captured in the June 1967 war. The war was an example of politics fought by other means, when diplomacy would have been far preferable.

Peace Now logo, designed by David Tartakover

Peace Now logo, designed by David Tartakover

Diplomacy seems to be breaking out all over the Middle East now – in the case of Syrian chemical weapons, and Iran’s nuclear programme. As several commentators have noted, this outbreak has made Benjamin Netanyahu anxious. In his UN speech on October 1st he referred to Iranian President Rohani as a ‘wolf in sheep’s clothing’, thereby directing not only Israelis but the whole world to be wary of the new mood blowing from Tehran. Netanyahu is a salesman in statesman’s clothing, a merchant of fear whose domestic political standing is directly proportional to the terror he induces. He is a political Mafiosi, promising Israelis protection in the form of armed might against a threat that he magnifies in order to sell his wares more effectively. He makes offers of ‘defence’ and ‘security’ that the voters can’t refuse. Netanyahu is a politician of fear, an orchestrator of powerful emotions who constantly builds them into renewed crescendos. It is not that there are no threats at all to be concerned about, but the politics of fear need to be confronted with a politics of different emotions, including hope. The fear of extinction that is shared by so many Diaspora and Israeli Jews is not unfounded but palpable. It cannot be dismissed, but nor can we remain hostage to it. The generation of 1973 found in Peace Now the best counter to the politics of fear in their activism, in giving voice to a demand for a better present. Their demand remains the best memorial to the Yom Kippur war.